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The Mythological Theme in the Movie Chopper.

 

Right from the start, the intentions of Andrew Dominik's highly stylized and provocative > movie Chopper  are clear. The film, based on the real-life story of Mark 'Chopper' Read, the most infamous Australian criminal of the 20th century, starts with an explanation that the story is not a biography, but a dramatisized interpretation of Chopper's life.

 

 

This distinction was wasted on the movie audience of Australia, where it received rave reviews and was a box-office hit. Most people saw the movie Chopper as a biopic, especially because some scenes are based on true events. For instance the horrifying scene, in which Chopper hears in prison, that there's a price on his head and he charges a fellow prisoner to cut off his ears, with the intention to be transfered to the relatively safe psychiatric section.

 

By taking the life of a real person as a starting point, screenwriter and director Dominik creates an intriguing tension between truth and fiction. The result is a movie on Chopper's world of thought, his inner world, which is miles away from reality. 
And that even the truth in Chopper's world has a bizarre character, is evidenced by his remark "I already cut off my ears, before anybodyn had heard of Quentin Tarantino".

 

 

Myths

'Never sacrifice a good story on the truth' is Read's motto. This recalls the famous line from John Ford's Western The Man Who Shot Liberty Valance (1962), "When the legend becomes fact, print the legend". Just like Ford's movie, Chopper comments on the role of the media in creating myths. 
The film begins and ends with a scene in which the protagonist watches on television, with visible pleasure, an interview he had with an admiring female journalist. This also sets the tone on how the media is portrayed. All media people fall for Chopper's charismatic appearance and are eager to make him famous.

 

Eric Bana as the charismatic Mark "Chopper" Read
Eric Bana as the charismatic Mark "Chopper" Read

Psychotic

The thematic resemblance with Oliver Stone's > Natural Born Killers (1994) is evident, but Dominik approaches his subject much more personal and subtle than Stone, whose vehement movie almost becomes a sociological treatment on the symbiosis between infamous criminals and the media. 
In his movie Chopper, Dominik does't look for external causes for Chopper's crimes, but he wants above all to visualize the explosive mixture of doubt, quilt and the obsessive egocentrism that drives his protagonist. Chopper is torn between psychotic, exhibitionistic and paranoid behavior. 
He maltreats fellow prisoners, his girl-friend and his enemy Neville Bartos, but shortly after he apologizes and promises to make everything right.

 

Expressionistic

The movie Chopper is divided in two parts. The first part covers the period from 1978 and takes place in prison. Chopper becomes embroiled in a power struggle when he tries to become the leader of the prisoners of the most heavily guarded prison of Australia. This period has a cool atmosphere, with minimalistic settings in clinically blue light, and ends with the ear-slicing scene. Next the movie makes a leap to the mid-eighties, after Chopper has been released from prison. This is the beginning of another visual, expressionistic tone, with restless framing and explicit colors (predominantly dark-red), which symbolizes the abundance of stimuli to which he succumbs. The confusion and disorientation is underlined by the strong music of Mick Harvey (of The Bad Seeds).

 

Just out of prison
Just out of prison

Eric Bana

The leading role in the movie Chopper is performed with amazing ease by > Eric Bana. At that time a well-known stand-up comedian and talk-show host in Australia . Besides the script and the sleek design, it is the way Bana plays his character that provides the viewer Chopper's inner experience. The production of the movie was stopped temporarily so that Bana, like De Niro in Scorsese's Raging Bull , could put on the necessary weight to play Chopper in later life. He looks just like the man about whom producer Al Clark once said: "He thinks he's a Goodfella, but in reality he's the King of Comedy". Chopper, who seems to be very pleased with the > movie Chopper  ( he is on one of the commentary tracks of the DVD ), could not have said it better.

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