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Outsider Folk Art  ( Thornton Dial, Lonnie Holley, Charlie Lucas...etc. )

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The Yard Art of Lonnie Holley ( Part 2 ) - His Yard Art Sculptures.

 

Lonnie Holley is an easy talker in a way that reminds one of a clergyman during one of his Sunday preaches. The message to humanity which he carries out through his > yard art sculptures and other art is to warn us not to be reckless with the cultural inheritance and with nature. He sets the example not to dump waste but giving it a new purpose. "Everything in the yard is there for a purpose. I am the keeper of all the things that are already there. It is my responsibility to keep them in a proper place, my yard becomes a lesson for the whole of mankind". (Interview 13 November 1991)

Holley is aware of his African past, his thoughts and actions are focused on the achievements of previous generations, to learn from it and transmitting it to future generations. "We want to look at it in a pyramid like manner where the very foundation which was the old, supports today. What is created today will be enough support for tomorrow which will be the cap of it all". (Interview 13 November 1991) The pyramid symbolizes the glorious African past and was at the same time a place for the deceased to start his journey to the realm of the dead.

In Holley's art, especially his yard art sculptures, the content is difficult to define in Western terms. In a way he's building a bridge between two worlds, rooted in the dynamic social interaction in which the Afro-American philosophy and ethics are grounded. Holley's work connects and raises the relationship between creation and interpretation. Within the context of multiculturalism he comes with a bridging and transformation of cultural priorities.

 

  Holley working on one of his wire yard art sculptures.

Holley working on one of his wire yard art sculptures.

 

 

 

 

 

 

 

In his work Holley uses the classical African idiom like 'Writing in the spirit', whereby through the divine intervention a spontaneously written text or a formless substance is being shaped. Also a 'ready-made' can be animated spontaneously this way. 
By using this medium, God transmits his messages and instructions to the people. Holly sees himself as a medium.

 

 

 

 

Support for the Burning Spirit (1987)

Title: > Support for the Burning Spirit (1987)
Unsigned
Mixed media
Size: 52 1/2" x 23" x 15 1/2"
Tinwood Alliance Collection
( previously W. Arnett Collection )

 

 

 

 

 

 

 

One of Holley's most famous yard art sculptures: 'Support for the Burning Spirit'

A burned house in the neighboorhood was the occassion to make this work. On that specific spot he found the attributes from which this sculpture is composed. This event made him realize how vulnerable the position of man can be against the forces of nature, in this case fire.

The basis exists of a big role of unprinted paper. The end of the role is shaped in such a manner that it gives the suggestion of a flickering flame. Man adopts his power from the written word, but the fire is capable of destroying everything. From the center of the role, two blackened crutches are sticking in the air, positioned in such a way that they form a standing triangle. Between the two crutches, a couple of intertwined iron coat-hangers with the remains of charred and scorched clothing.

The sad story behind the scrutches and clothing is represented in a very emphatic way. In Holley's metaphysical way of thinking, a fire also has a purifying effect. True, it destroys the material world, but it also forces us in the direction of the spiritual world for finding an explanation for such a disaster. Man on his own is a weak creature, witness the crutches. He can feel strongly only when he is conscious about the cycle of things and when he is concious of his past, the present and of the future generations.

This is Lonnie Holley's message to the world, packed in the sad remains of a destroying fire.

 

For more information on Lonnie Holley's > yard art sculptures ( A studio's visit )

Here you can find part 1 on > Lonnie Holley of the two part article sequence.


 

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