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Nagasaki-e: The Dutch Portrayed in Japanese Woodblock Prints  ( Part 2 )

 

The following article is a sequel to  Nagasaki-e (Part 1)

Gifts For The Shõgun

Besides merchandize the Dutch ships also transported gifts for the benefit of the Shogun. These gifts were offered to the actual ruler of Japan on the occasion of the so-called annual 'court travels' to the residence of the Shõgun in the capital Edo (now Tokyo). These journeys from Nagasaki to Edo whom the Dutch had to cover took over four months to complete.

Hokusai, c.1802.Japanese interest for the Dutch in their Inn Nagasaki-ya.  

After 1790 these 'court travels' only took place every four years and were a welcome distraction for the Dutch delegation whose freedom of movement was quite limited. It must have been a colorful spectacle. The procession led by the chief of the Dutch trading-post with his staff and retinue of Japanese officials, translators, guards and carriers marching to the Japanese landscape to have an audience of the Shõgun.

 

When they finally arrived in Edo, the Dutch stayed in the Nagasaki-ya, an inn where the Japanese locals crowded together to catch a glimpse of the 'red-haired barbarians '. At that place Japanese scientists were received who inquired them until late at night about the European culture and sciences, while feasting on Western food and gin.

 

 

Hokusai, c.1802. 
Japanese interest for the Dutch in their Inn Nagasaki-ya.

Exotic Luxury Goods

For the Shõgun the reception of the Dutch was not only a source of entertainment for himself and his household but it was also an opportunity to look forward to the exotic luxury goods from Europe. Sometimes even livestock was transported, quadrupeds which were not known in Japan such as camels, dromedaries and birds like the cassowary.

Anonymous, c.1821.Dutchman and two Javanese assistants leading a camel and a dromedary.
Anonymous, c.1821. 
Dutchman and two Javanese assistants leading a camel and a dromedary.

Musical Instruments

What also aroused the interest of the print designers of the day were the Western musical instruments such as the brass instruments. The reason for this was probably caused by the performance of the Trumpet Corps of Captain Koops, when he arrived in 1844 with his frigate 'Palembang' in Nagasaki.

His mission was to deliver a letter from King Willem II to the Shõgun in which he strongly advised to open the ports of Japan to the outside world and to establish diplomatic relations with other countries. The advice was not immediately followed but it was a prelude to the events in the second half of the Nineteenth Century when finally several ports of Japan were opened to foreign trade.

Yokohama-e

The most important seaport was Yokohama, where several foreign legations were located. Yokohama was also a new breeding ground for the portrayal of Westerners, for their habits and their technical achievements. These included Western-style buildings, steam locomotives and steamships. The emergence of the new Yokohama print took place under the influence of Edo and the last of the Ukiyo-e masters and would eventually push away the Nagasaki print.

 

 

 

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