In his >
outsider folk art,
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Thornton Dial
works with ever recurring symbols of which the tiger
and the bird are portrayed most frequently.
The tiger is either a metaphor for
himself or symbolizes the black race. "The tiger is most of the struggle
for life or for anyting, for black people and anybody else", thus Dial.
The tiger is represented in series of works that have a specific theme within
a particular subject.
Tiger and Bird
There is a series of works by Thornton Dial in which the tiger leaves the
jungle (Africa) and then undergoes the different stages of slavery. Another
series shows the struggle of the black people within the white man's system.
There also works in which the tiger triumphs, Dial's own recognition and
success as an artist, and other works in which the tiger symbolizes the
universal man. The bird symbolizes liberty and the breeding bird stands for
fertility. In the iconography of many Afro-American artists (included in the Outsider
Folk Art ), the bird is also a symbol of freedom and liberty.
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Sr (b.1928)
Title: Woman with Tiger Cat, '90 |
The Five Subjects in Dial's Outsider Folk Art
Dial's work shows about five subjects that at the same time propagate his
philosophy, namely: The relation between man and animal; the life in the U.S.;
the political, social, economical system...etc. (often depicted in a red,
white and blue color scheme, the colors of the American flag); animals as
symbols for the human existence as described in folk tales and moralizing
stories; and finally the tiger series, often in large assemblies with an
average size of 4.27ft x 8.53ft. Dial made dozens of works in this series. The
titles of all these works tell something about the content, Dial himself
suffice with some general remarks on his art that doesn't yield up any
additional information. His acquired reservations concerning the white man
could very well be the cause of his reluctance. Paul Arnett (William Arnett's
son) says about this: "The mind of the unseeing observer is his safest
hiding place".
The Expression in Dial's Outsider Folk Art
In his work Dial is able to express his complex thoughts, of which he is
not able to verbalize. It is these thoughts, [...]"I've got ten-thousand
ideas left to create" (Dial), that gives him the unbridled drive to work.
He imposes no limits upon himself, neither in his use of materials, nor the
choice of his subjects. Dial's work fascinates because of its unpredictable
character and the way he keeps surprising with his visual language and choice
of materials, [...]"Making strange things from ordinary things to force
relloking and rethinking" (Dial).
The Inspiration for his Outsider Folk Art
Man in all his capacities is central in Dial's work. Frequently his own
philosophical thoughts are expressed in the images, sometimes he also gets
inspired for a work by an event in his immediate surroundings. Dial works with
a wide range of materials like rope, pieces of floor-covering, found objects,
as well oil paint as industrail paint, acrylic paint and industrial sealing
compound, some kind of putty. The African element is merely unconsciously
present, although the narrative character of his work in which man and
especially the animal is central, indeed revert to the oral African tradition
of myths and legends. Also, one could say that the spontaneous improvising
with color, like the sounds in jazz, is an African element.
Watercolor Paintings
In 1990 Dial started with the production of
watercolor paintings. Also here he proofs
that his creativity and inventiveness is boundless. By using mixed techniques,
unusual colors and daring compositions and through his personal visual
language, like in his painted work, he is able to convey a profound
fascination on the beholder. Therefore they are an enrichment to his works.
Dial's Outsider Folk Art
Dial's themes are contemporary and don't follow a specific folk tradition,
but he stays outside the mainstream of contemporary art. He goes his own way
regardless of any trends or anyone. He is very ingenious, tries everything and
always sees a variety of possibilities in front of him. If the ideas for one
medium have been finished, he goes to the next. What he does with materials
like carpet, rope, tin, is pictorially each time a surprise. What he does with
his hands and his pencil is mesmerizing in its expressive power.
More info on
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Outsider Folk Art
Here you can find part 1 of this three part article sequence:
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Thornton
Dial - The Beginning.
Here you can find part 2 of this three part article sequence:
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William
Arnett and Dial's Work Environment.
Here you can find part 3 of this three part article sequence:
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The Outsider Art of Thornton Dial
( Part 3 ) - His Outsider
Folk Art.